Head over to The Hollywood Reporter for the full survey. And a more generous back-end only benefits a director if the movie is given the opportunity to perform well: One Chance director David Frankl is suing the Weinstein Company for fraud, claiming that he agreed to cut his upfront salary significantly on the condition that TWC would give the 2014 film a wide release but instead it was distributed on only 43 screens and grossed roughly $100,000. There are exceptions: Christopher Nolan is reportedly getting $20 million upfront in addition to 20 percent of the gross for the upcoming Dunkirk. (Given Diesel's longstanding box office success, it's doubtful this relatively low upfront salary will knock him off Forbes' World's Highest Paid Actors List anytime soon).ĭirectors, too, are being pressured to take smaller upfront payouts in favor of back-end deals: “That’s the big trend - the increasing distinction between what a director gets upfront and the overall payout,” one producer told THR. According to THR, Vin Diesel has a similar deal for XXX3: The Return of Xander Cage, for which he will paid only $1 million upfront. 11 Best Screenwriting Software in 2022 (Free + Paid) Final Draft Celtx Movie Magic Screenwriter Writer Duet Fade In Highland Scrivener StudioBinder. Keanu Reeves, who once made $15 million a film, reportedly made somewhere around $2 million for each John Wick movie (more for the sequel, less for the original), but his compensation package includes an ownership stake in the franchise in addition to a percentage of the profits. The THR salary report detailed a trend that is moving away from high upfront fees to more modest back-end deals - and not just for producers, but for talent. Ethan Coen and Joel Coen Notable Scripts: Fargo (1996), The Big Lebowski (1998), No Country for Old Men (2007), True. Billy Wilder Notable Scripts: Double Indemnity (1944), Sunset Boulevard (1950), Some Like It Hot (1959), The. (CEOs like Disney's Bob Iger and CBS's Les Moonves are still leading the pack with salaries in the mid- to high eight figures). The 100 Best Screenwriters of All Time 1. But if you add the fee for a few rewrites on top of multimillion-dollar screenwriter salaries, some of these young scribes could indeed be out-earning the studio chiefs who sign off on their paychecks. It should also be noted that script rewrites are usually given a short turnaround of a few weeks, so even the most sought-after script doctors aren't making $400,000 a week on rewrites all year long. Of course, you don't get a gig like that if you haven't proven your marketability as as a screenwriter - Miller and Lord's The Lego Movie, which the pair wrote and directed, made close to $500 million worldwide on a $60 million budget - but it's certainly nice work if you can get it especially when so many others in the industry don't see their payday until the movie succeeds. Arndt, a longtime go-to script doctor, and writer-director team Phil Lord and Chris Miller reportedly make $400,000 a week on rewrites. Chamber of Commerce (Photo by Eric Charbonneau/Invision for Warner Bros./AP Images)Īccording to THR, Kinberg made $8 million for each of his X-Men scripts ( Apocalypse and Days of Future Past) in addition to $350,000 a week to punch up big budget scripts. Chris Miller and Director Phil Lord at An Awesome Celebration of The Lego Movie at the Bricksburg.
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